Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
Sonny Stitt, Jim Hall, Richard Davis
Stitt plays bird
Ornithology (Harris, Parker) - 3:41
Scrapple from the Apple - 3:49
My Little Suede Shoes - 3:06
Parker's Mood - 4:21
Au Privave - 2:40
Koko - 4:54
Confirmation - 4:36
Hootie Blues (McShann) - 6:24
Constellation - 3:19
- Sonny Stitt - saxophone
- Jim Hall - guitar
- Richard Davis - double bass
AllMusic Review by Scott Yanow Sonny Stitt forged his own approach to playing bebop out of the sound and style of Charlie Parker, so this tribute album was a very logical project. With fine support from guitarist Jim Hall, pianist John Lewis, bassist Richard Davis, and drummer Connie Kay, Stitt performs ten Parker compositions, plus Jay McShann's "Hootie Blues"; these renditions of "Now's the Time" and "Yardbird Suite" were previously unreleased. Stitt, who mastered bebop and could play hot licks in his sleep, is in top form on such numbers as "Constellation," "Confirmation," and "Ko-Ko," making this an essential item for straight-ahead jazz fans (although the prolific altoist would record eight other albums in 1963 alone).
