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PROKOFIEV, BARTOK, Lang Lang, Simon Rattle

Piano Concerto No. 3 / Piano Concerto No. 2

Bartók: Piano Concerto No. 2, BB 101, Sz. 95 Prokofiev: Piano Concerto No. 3 in C major, Op. 26
  • Lang Lang - piano
  • Simon Rattle - conductor
  • Berliner Philharmoniker - orchestra
  • PROKOFIEV
  • BARTOK
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169.00 PLN

Blu_spec CD2:


REWELACJA!

BBC Music Magazine

December 2013

****

“Lang Lang has the necessary power and athleticism to bring tremendous energy and drive to [Prokofiev's] more motoric writing...[he] sails through the passagework [of the Bartok] with exemplary clarity...The problem in the outer movements rests with the pianist's tendency to make everything sound harsh and percussive”

Gramophone Magazine

November 2013

“Lang Lang gives a persuasive account of the Prokofiev. His finely observed detail..., the full use of the piano's sumptuous sonority and dynamic range and his effortless technical mastery would excite anyone's admiration...[in the Bartok] Lang Lang and Rattle are hugely impressive but, for my taste, a shade too polite.”

MusicWeb International

8th November 2013

“Immediately [the Prokofiev] explodes into life with Lang Lang’s sparkling playing with seemingly boundless reserves of energy...Outstanding in the opening [of the Bartók] is Lang Lang’s rhythmic potency borders on the demonic...Under the baton of Sir Simon Rattle the Berliner Philharmoniker is highly persuasive and sympathetic. Not for the first time the woodwind excel - marvellous.”

The Arts Desk

12th October 2013

“How smart of Sony to have recorded [Lang Lang] in repertoire which plays to his strengths. This Prokofiev 3 is exceptionally good – thunderous when it needs to be, and always rhythmically alert. And Simon Rattle is a supremely effective partner...[the Bartók] makes for an unexpected, rewarding coupling.”

The Independent on Sunday

20th October 2013

****

“Superloud and racily paced...It all gives a whole new meaning to the words “Flash, bang, wallop”, but it’s difficult to resist the energy, brio and sheer unabashed showmanship of the whole package.”

The Times

1st November 2013

****

“this is a performance [of the Prokofiev] that glides by, impeccably beautiful and fleet, yet a trifle short of character. Still, Lang Lang’s easy virtuosity is delicious; so is the absence of keyboard thumping...[the Bartok] offers genuine bite, whether from Lang Lang’s fingers or the bracing snarl of the Berlin brass.”




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