Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
Sammy Davis Jr, Count Basie and His Orchestra
Our shinning hour
- Side One
- 1. My Shining Hour
- 2. Teach Me Tonight
- 3. Work Song
- 4. Why Try To Change Me Now
- 5. Blues For Mr. Charlie
- 6. April In Paris
- Side Two
- 1. New York City Blues
- 2. You're Nobody Till Somebody Loves You
- 3. She's A Woman (W-O-M-A-N)
- 4. The Girl From Ipanema
- 5. Keepin' Out Of Mischief Now
- 6. Bill Basie Won't You Please Come Home
- Sammy Davis Jr - vocal
- Count Basie and His Orchestra - orchestra
>>> Większa okładka A <<<
KONIEC NAKŁADU - OSTATNIE EGZEMPLARZE
They’d performed together several times onstage, but not until Quincy Jones came up with these brilliant arrangements in 1974 did Sammy Davis and Count Basie finally work together in the studio. Better than with either Tony Bennett or Frank Sinatra, the relaxed swing of Sammy Davis harmonized perfectly with the light swing of Count Basie and his crew. A few assertive notes on the keyboard and the band begins to swing; a snap of the fingers and Sammy Davis’ whole body begins to swing. Just listen to the “New York City Blues” for a wonderful example. In “You’re Nobody Till Somebody Loves You” listen to the voice melting with the band as though it were a musical instrument. “She’s A Woman” is first-class entertainment and the tap dancing in “Bill Basie, Won’t You Please Come Home” is quite unsurpassed.
