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GLINKA, TCHAIKOVSKY, RACHMANINOV, Harmonia Sacra, Peter Leech

Cherubim And Seraphim - Russian Orthodox choral works from Catherine the Great to Nicholas II

Cherubim And Seraphim - Russian Orthodox choral works from Catherine the Great to Nicholas II image
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1 Priiditye vospoim (Come and sing, o ye people) 2 Da ispravitsya molitva (Let my prayer be set forth) 3 Raduitesya lyudie (Rejoice, o ye people) 4 Kheruvimskaya pyessn D-Dur (Cherubic hymn) 5 Plotiyu usnuv (In ther flesh thou didst fall asleep) 6 Oslavi mi da pochiyu (Remove thy gaze from me) 7 Kheruvimskaya pyessn F-Dur (Cherubic hymn) 8 Kheruvimskaya pressn G-Dur (Cherubic hymn) 9 Eketeniya pervaya (Kyrie) 10 Kheruvimskaya pyessn Nr. 2 (Cherubic hymn) 11 Kheruvimskaya pyessn G-Dur (Cherubic hymn) 12 Dostoino yest (Blessing of the Virgin Mary) 13 Kheruvimskaya pyessn Nr. 9 (Cherubic hymn) 14 Bogoroditsye dyevo (Ave Maria)
  • Peter Leech - conductor
  • Harmonia Sacra - choir
  • GLINKA
  • TCHAIKOVSKY
  • RACHMANINOV
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34.00 (49.00) PLN

CD:

Nr kat.: NI6187
Label  : Nimbus Records

"In Russia, despite the westward vision of Tsar Peter the Great by 1700 the repertory of the St Petersburg Imperial Chapel Choir was still dominated by a style heavily dependent upon homophony. Stronger Western influences would be felt when central European musicians flocked to take up opportunities in Russia during the first decades of the eighteenth century. A courtly preference for Italian music grew, reaching a high point during the reign of Catherine the Great (1762-96), influencing two centuries of ethereal and spine-tingling Orthodox choral works." "Harmonia Sacra were formed by Peter Leech in 2009 specifically for the performance of late-Renaissance and early-Baroque music, and received critical acclaim at their inaugural 2009 Advent Reflections concert as a fine body of singers (Bristol Evening Post). They have gone from strength to strength, delighting audiences with fresh and uplifting performances. An international award-winning conductor, Peter has directed a wide variety of professional and amateur European and Australian ensembles with consistent critical acclaim. A specialist in music of the late enaissance and early Baroque periods, his many interests include seventeenth-century English court music, Russian Orthodox choral music and Iberian polyphony from 1500-1700. He is also a composer and passionately committed to contemporary music."

 

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