199.00 PLN

SACD Hybr:

Nr kat.: CVRJ4003SA
Label  : Acoustic Sounds

Nośnik w tej chwili niedostępny.

2 LP HQ-200G 45rpm:

Nr kat.: MGV4003
Label  : Acoustic Sounds

POŻEGNALNE EGZEMPLARZE

NAJNOWSZA TŁOCZNIA AMERYKAŃSKA NOWY MASTERING I ZRZUT Z TAŚMY MATKI WERSJA ORYGINALNA, PIERWOTNA NAGRANIA - MONO NAJLEPSZE TŁOCZENIE NA RYNKU! "If you're a jazz-following audiophile, go buy this right away. Flummoxed by the $50 price tag? How much would you pay for the most palpable illusion you'll ever experience that Pops and the First Lady of Song are back among the living—standing, breathing, singing, and blowing, right in front of you? ... It's the only QRP Verve I've heard so far, but if it's a harbinger of things to come, it's what Satch would call a mitzvah!" — Fred Kaplan, www.stereophile.com, December 2011 "All hail Analogue Productions, the audiophile record company in Salina, Kansas, for hiring the best engineers to invent a new formula for pressing vinyl. The results are simply staggering. Check out the 45rpm remaster of the 1956 Ella & Louis (Fitzgerald & Armstrong). If you have a good stereo, you'll swear they're in the room!" — Fred Kaplan, Slate, December 2011 "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award — Danny Kaey, Positive Feedback Online, November/December 2011 The very fact that America's biggest jazz label called one of their albums quite simply Ella and Louis indicates that we are talking about something very special here. And surely enough has been said - "Satchmo" and the grande dame of jazz certainly need no further introduction. In the '50s just the mere mention of their forenames was enough to light up the eyes of jazz fans. A glance at the track list reveals that tranquility rules the day: wild stomps and improvised scats will neither be sought nor missed. Of prime importance to the jazz ballad is a feeling of "letting oneself drift" in the inspiration which gushes forth from the minds of genial American songwriters. This is no contest - for the artists all pursue a common goal with extreme sensitiveness. The background combo, made up of first-class musicians and led by Oscar Peterson, performs with great concentration and almost obtrusive unobtrusiveness. Verve's highly successful producer Norman Granz decided quite deliberately to make the recording in the studio instead of at a live session. And success has verified his judgment, for such vocal jazz knows only gentle tones - but the result is all the more intensive for that. TAS Super LP List! Special Merit: Informal 2013 Stereophile Magazine Record to Die For! The Absolute Sound 40th Anniversary Best Sounding Music! Michael Fremer Rated 8/10 Music, 9/10 Sonics in his February 2012 reviews on www.musicangle.com and Featured in Michael Fremer's Heavy Rotation in the February 2012 Issue of Stereophile! Limited Edition 200 Gram, 45rpm 2LP Mono Set! Mastered by George Marino at Sterling Sound & Cut from the Absolute Original Analog Master Tapes! Pressed at Quality Record Pressings! The very fact that America's biggest jazz label called one of their albums quite simply Ella and Louis indicates that we are talking about something very special here. And surely enough has been said - "Satchmo" and the grande dame of jazz certainly need no further introduction. In the '50s just the mere mention of their forenames was enough to light up the eyes of jazz fans. A glance at the tracklist reveals that tranquility rules the day: wild stomps and improvised scats will neither be sought nor missed. Of prime importance to the jazz ballad is a feeling of 'letting oneself drift' in the inspiration which gushes forth from the minds of genial American songwriters. This is no contest - for the artists all pursue a common goal with extreme sensitiveness. The background combo, made up of first-class musicians and led by Oscar Peterson, performs with great concentration and almost obtrusive unobtrusiveness. Verve's highly successful producer Norman Granz decided quite deliberately to make the recording in the studio instead of at a live session. And success has verified his judgment, for such vocal jazz knows only gentle tones - but the result is all the more intensive for that. "The recording quality is stupendously transparent, natural and intimate. Don’t let the age or the “mono-ness” of it fool you into thinking you’re getting moldy sound." - Michael Fremer, www.musicangle.com, Music 8/10, Sound 9/10 "The most delightful jazz vocal recording of all time, now enshrined in 45rpm, 200gm vinyl from Chad Kassem's Quality Record Pressings, and it's a jaw-dropper... Ella and Louis are 3D-palpable; they're in the room, or you're in their room. Ella breathes air; when Pop sings down low, your hair stands on end. A jazz-critic friend likened it to 'an acid trip.'" - Fred Kaplan, Stereophile Magazine, February 2013, p. 67 >>> Płyty winylowe należy przechowywać WYŁĄCZNIE w NAJLEPSZYCH NA ŚWIECIE koszulkach produkcji legendarnej wytwórni MOBILE FIDELITY. 100% gwarancji na pozbycie się trzasków będących w istocie w 90% efektem ładunków elektrostatycznych a nie uszkodzeń mechanicznych płyty! <<<