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KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
VICTORIA, PALESTRINA, Westminster Cathedral Choir, Martin Baker
De Beata Maria Virgine and Surge propera
- Tomás Luis de Victoria (1548–1611)
- 1 Salve regina 5vv (1583) [4'48]
- Missa De Beata Maria Virgine 5vv [30'22]
- 2 Kyrie [3'03]
- 3 Gloria [6'56]
- 4 Credo [10'02]
- 5 Sanctus and Benedictus [5'29]
- 6 Agnus Dei 7vv [4'50]
- Giovanni Pierluigi da Palestrina (1525/6–1594)
- 7 Surge, propera amica mea, et veni 4vv [3'48]
- Tomás Luis de Victoria (1548–1611)
- Missa Surge propera 5vv [28'58]
- 8 Kyrie [3'10]
- 9 Gloria [7'05]
- 10 Credo [10'05]
- 11 Sanctus and Benedictus [4'26]
- 12 Agnus Dei 6vv [4'10]
- Westminster Cathedral Choir - choir
- Martin Baker - conductor
- VICTORIA
- PALESTRINA
'We hear the boys' voices - and what a wonderfully incisive and vivid sound they make, cutting through the swathes of echo like a hot knife through butter - floating angelically above a heaving wash of lay clerk harmony … Polyphony designed to inspire feelings of sanctity and spirituality, and this recording captures that element to perfection. Martin Baker has a lovely way with the musial phrases, letting them emerge from the dark recesses of the cathedral, allowing them generous space in which to soar and float before gently subsiding back to the vast darkness from which they emerged. It creates a sensation of great timelessness … Illuminating and deeply rewarding' (International Record Review) ************************************* Following the success of the Westminster Cathedral Lay Clerks in their sumptuous men-only recording of Victoria’s Missa Gaudeamus, the choir returns to full ranks for a further issue in their survey of the Masses of this undisputed Master of the Renaissance. This new recording opens with Victoria’s five-part setting of the Marian antiphon Salve regina, followed by two of the composer’s Masses: Missa De Beata Maria Virgine and Missa Surge propera, which is preceded by its Palestrina model. Released to mark the conclusion of a highly successful American tour, this album finds the choir in superb voice and the thrillingly involved sound is perfectly coloured by the Westminster resonance.