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BYRD, Davitt Moroney

Complete Keyboard Music

  • CD1
  • 1 Lord Willobies Welcome Home 'Rowland', BK7 [2'38] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 2 The Bells, BK38 [5'37] William Byrd (1539/40-1623)
  • 3 The French Coranto, BK21a [0'52] William Byrd (1539/40-1623)
  • 4 The Second French Coranto, BK21b [0'50] William Byrd (1539/40-1623)
  • 5 The Third French Coranto, BK21c [0'56] William Byrd (1539/40-1623)
  • 6 Hugh Ashton's Grownde, BK20 [8'04] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 7 Callino Casturame, BK35 [1'58] William Byrd (1539/40-1623)
  • 8 A Lesson of Voluntarie, two parts in one in the 4th above, BK26 [6'17] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 9 The Carman's Whistle, BK36 [4'14] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 10 Sellinger's Rownde, BK84 [6'11] William Byrd (1539/40-1623)
  • 11 Parson's In nomine, BK51 [2'51] William Byrd (1539/40-1623) & Robert Parsons (c1535-25 January 1571/2)
  • Davitt Moroney (organ)
  • 12 The Second Ground, BK42 [8'56] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 13 A Horne Pipe, BK39 [6'17] William Byrd (1539/40-1623)
  • 14 Miserere I, BK66 [1'00] William Byrd (1539/40-1623)
  • Davitt Moroney (clavichord)
  • 15 Miserere II, BK67 [1'21] William Byrd (1539/40-1623)
  • Davitt Moroney (clavichord)
  • Pavan and Galliard 'Johnson's Delighte', BK5 William Byrd (1539/40-1623)
  • CD2
  • 1 Movement 1: Pavin [5'17]
  • 2 Movement 2: The Galliard [1'47]
  • 3 Preludium, BK24 [1'08] William Byrd (1539/40-1623)
  • 4 Galiardo Mistris Marye Brownlo, BK34 [3'11] William Byrd (1539/40-1623)
  • 5 Parludam, BK115 EKM3 [1'08] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • Pavan and Galliard 'Ph. Tr.', BK60 William Byrd (1539/40-1623)
  • 6 Movement 1: Pavana [5'02]
  • Davitt Moroney (muselar)
  • 7 Movement 2: Galiarda [1'48]
  • Davitt Moroney (muselar)
  • 8 Alman, BK11 [1'22] William Byrd (1539/40-1623)
  • A Pavin and Galliard, BK33 William Byrd (1539/40-1623)
  • 9 Movement 1: Pavin [4'51]
  • 10 Movement 2: Galliard [1'53]
  • 11 Have with yow to Walsingame, BK8 [9'23] William Byrd (1539/40-1623)
  • 12 Pavana Lachrymae, BK54 [5'58] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 13 Harding's Galliard, BK55 [2'57] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 14 The Barley Break, BK92 [8'20] William Byrd (1539/40-1623)
  • Pavan and Galliard 'The Earle of Salisbury', BK15 William Byrd (1539/40-1623)
  • 15 Movement 1: Pavana [1'43]
  • Davitt Moroney (muselar)
  • 16 Movement 2: Galiardo [1'09]
  • Davitt Moroney (muselar)
  • 17 Movement 3: Galiardo Secondo [2'10]
  • Davitt Moroney (muselar)
  • Pavan and Galliard 'Eccho', BK114 William Byrd (1539/40-1623)
  • 18 Movement 1: Paven [4'17]
  • 19 Movement 2: The Galliard [1'59]
  • 20 Wilson's Wilde, BK37 [1'23] William Byrd (1539/40-1623)
  • 21 A Gigg 'F. Tr.', BK22 [1'06] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 22 A Preludium, BK116 EKM4 [1'29] William Byrd (1539/40-1623)
  • 23 Jhon come kisse me now, BK81 [5'37] William Byrd (1539/40-1623)
  • CD3
  • 1 Christe qui lux, BK121 EECM6/34 [2'26] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 2 Praeludium to the Fancie, BK12 [0'58] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 3 A Voluntarie, BK27 [5'36] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 4 Ut, re, mi, fa, sol, la, BK64 [8'28] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 5 Ut, mi, re, BK65 [7'51] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 6 Gloria tibi Trinitas, BK50 [1'46] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 7 Miserere I, BK66 [0'57] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 8 Miserere II, BK67 [1'28] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 9 A Verse of Two Parts, BK28 [1'46] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 10 A Grounde, BK43 [2'59] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 11 A Fancie, BK46 [5'14] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 12 A Fancie, for my Ladye Nevell, BK25 [5'45] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 13 A Grounde, BK9 [4'30] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 14 Clarifica me, Pater I, BK47 [1'44] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 15 Clarifica me, Pater II, BK48 [1'34] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 16 Clarifica me, Pater III, BK49 [3'15] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 17 Fantasia, BK62 [9'06] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 18 Salvator mundi I, BK68 [1'15] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 19 Salvator mundi II, BK69 [1'25] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 20 A Voluntarie, for my Ladye Nevell, BK61 [4'52] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • CD4
  • 1 Will yow walke the woods so wylde, BK85 [4'36] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 2 Ut, Re, Mee, Fa, Sol, La, The playnesong … by a second Person, BK58 [3'03] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 3 Go from my window, BK79 [4'17] William Byrd (1539/40-1623)
  • 4 Fantasia, BK62 [7'19] William Byrd (1539/40-1623)
  • 5 Fortune my Foe, Farewell Delight, BK6 [3'57] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 6 Fantasia, BK63 [4'32] William Byrd (1539/40-1623)
  • 7 Corranto, BK45 [1'10] William Byrd (1539/40-1623)
  • 8 The Mayden's Songe, BK82 [5'28] William Byrd (1539/40-1623)
  • Davitt Moroney (organ)
  • 9 A Grounde, BK86 [5'49] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 10 A Fancie, BK46 [4'12] William Byrd (1539/40-1623)
  • 11 O quam gloriosum est regnum, EKM48 [7'03] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 12 The Hunt's Up, BK40 [7'19] William Byrd (1539/40-1623)
  • CD5
  • 1 O Mistris myne, I must, BK83 [6'21] William Byrd (1539/40-1623)
  • 2 La Volta, BK91 [1'24] William Byrd (1539/40-1623)
  • Pavan and Galliard 'Quadran', BK70 William Byrd (1539/40-1623)
  • 3 Movement 1: Paven [8'47]
  • 4 Movement 2: Galliard [4'34]
  • 5 A Grounde, BK9 [4'18] William Byrd (1539/40-1623)
  • 6 If my complaints, or Pyper's Galliard, BK118 EKM26 [2'26] William Byrd (1539/40-1623)
  • 7 The Queenes Alman, BK10 [3'00] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • A Pavion and The Galliard, BK23 William Byrd (1539/40-1623)
  • 8 Movement 1: A Pavion [4'42]
  • Davitt Moroney (muselar)
  • 9 Movement 2: The Galliard [1'44]
  • Davitt Moroney (muselar)
  • Pavan and Galliard 'Bray', BK59 William Byrd (1539/40-1623)
  • 10 Movement 1: Pavana [4'42]
  • 11 Movement 2: Galiarda [1'33]
  • 12 La Volta L. Morley, BK90 [1'28] William Byrd (1539/40-1623)
  • Pavana and Galiarda, BK4 William Byrd (1539/40-1623)
  • 13 Movement 1: Pavana [2'17]
  • Davitt Moroney (muselar)
  • 14 Movement 2: Galiarda [1'48]
  • Davitt Moroney (muselar)
  • 15 Gypseis Round, BK80 [4'43] William Byrd (1539/40-1623)
  • Pavana and Galliarda, BK52 William Byrd (1539/40-1623)
  • 16 Movement 1: Pavana [5'04]
  • 17 Movement 2: Galliarda [1'47]
  • 18 Galliard, BK53 [1'44] William Byrd (1539/40-1623)
  • 19 An Almane, BK89 [1'20] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 20 Pavin, BK76 [3'07] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 21 A Galliard, BK77 [1'03] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 22 An Alman, BK117 EKM30 [2'10] William Byrd (1539/40-1623)
  • 23 A Galliarde Gygge, BK18 [2'03] William Byrd (1539/40-1623)
  • Paven and Galiard, BK73 William Byrd (1539/40-1623)
  • 24 Movement 1: Paven [2'33]
  • Davitt Moroney (muselar)
  • 25 Movement 2: Galiard [1'34]
  • Davitt Moroney (muselar)
  • CD6
  • 1 Qui passe, for my Ladye Nevell, BK19 [3'43] William Byrd (1539/40-1623)
  • 2 A Fancie, for my Ladye Nevell, BK25 [5'34] William Byrd (1539/40-1623)
  • The firste pavian and galliarde, BK29 William Byrd (1539/40-1623)
  • 3 Movement 1: Pavian [4'39]
  • Davitt Moroney (muselar)
  • 4 Movement 2: Galliarde [1'43]
  • Davitt Moroney (muselar)
  • The second pavian and galliarde, BK71 William Byrd (1539/40-1623)
  • 5 Movement 1: Pavian [2'57]
  • 6 Movement 2: Galliarde [1'45]
  • The third pavian and galliard, BK14 William Byrd (1539/40-1623)
  • 7 Movement 1: Pavian [5'03]
  • Davitt Moroney (muselar)
  • 8 Movement 2: Galliard [1'46]
  • Davitt Moroney (muselar)
  • The fourth pavian and galliarde, BK30 William Byrd (1539/40-1623)
  • 9 Movement 1: Pavian [2'50]
  • 10 Movement 2: Galliarde [1'49]
  • The fifte pavian and galliarde, BK31 William Byrd (1539/40-1623)
  • 11 Movement 1: Pavian [5'12]
  • Davitt Moroney (muselar)
  • 12 Movement 2: Galliarde [1'41]
  • Davitt Moroney (muselar)
  • Pavana and Galliarde the vi 'Kinbrugh Good', BK32 William Byrd (1539/40-1623)
  • 13 Movement 1: Pavana [4'49]
  • 14 Movement 2: Galliarde [1'44]
  • 15 The seventh pavian, Canon 2 parts in 1, BK74 [4'49] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 16 The eighte pavian, BK17 [4'56] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • The nynth pavian and galliarde, the Passinge mesures, BK2 William Byrd (1539/40-1623)
  • 17 Movement 1: Pavian [6'31]
  • 18 Movement 2: Galliarde [5'19]
  • 19 My Lady Nevell's Grownde, BK57 [5'18] William Byrd (1539/40-1623)
  • 20 A Voluntarie, for my Ladye Nevell, BK61 [4'54] William Byrd (1539/40-1623)
  • CD7
  • 1 Preludium, BK1 [0'40] William Byrd (1539/40-1623)
  • Pavan and Galliard 'Sir William Petre', BK3 William Byrd (1539/40-1623)
  • 2 Movement 1: Pavana [4'30]
  • 3 Movement 2: Galiardo [2'13]
  • 4 The Marche before the Battell, BK93 [4'12] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 5 The Battell, BK94 [12'50] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 6 The Galliard for the Victorie, BK95 [1'59] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 7 All in a garden greene, BK56 [4'52] William Byrd (1539/40-1623)
  • 8 Monsieur's Alman I, BK87 [3'48] William Byrd (1539/40-1623)
  • 9 Monsieur's Alman II, BK88 [6'06] William Byrd (1539/40-1623)
  • 10 The Ghost, BK78 [2'58] William Byrd (1539/40-1623)
  • 11 Monsieur's Alman III, BK44 [2'09] William Byrd (1539/40-1623)
  • A Pavyn and Galliard, BK16 William Byrd (1539/40-1623)
  • 12 Movement 1: Pavyn [4'11]
  • Davitt Moroney (muselar)
  • 13 Movement 2: Galliard [1'36]
  • Davitt Moroney (muselar)
  • Paven and Galiard, BK100 EKM10 William Byrd (1539/40-1623)
  • 14 Movement 1: Paven [1'59]
  • 15 Movement 2: Galiard [1'02]
  • 16 Lady Montegle's Paven, BK75 [2'59] William Byrd (1539/40-1623)
  • A Pavion and The Galliard to it, BK72 William Byrd (1539/40-1623)
  • 17 Movement 1: Pavion [4'13]
  • 18 Movement 2: The Galliard to it [1'48]
  • 19 Praeludium to the Fancie, BK12 [0'48] William Byrd (1539/40-1623)
  • Davitt Moroney (muselar)
  • 20 Praeludium to the Fancie, BK12 [0'43] William Byrd (1539/40-1623)
  • 21 Praeludium to the Fancie, BK12 [0'42] William Byrd (1539/40-1623)
  • Davitt Moroney (clavichord)
  • 22 Praeludium to the Fancie, BK12 [0'40] William Byrd (1539/40-1623)
  • 23 Fantasia, BK13 [8'05] William Byrd (1539/40-1623)
  • Davitt Moroney - harpsichords
  • BYRD

Produkt w tej chwili niedostępny.

The Gramophone Award-winning artist, Davitt Moroney has spent more than fifteen years planning this momentous project and Hyperion are proud to be able to bring Davitt’s wealth of expertise and musicianship to the label. As an authentic complete survey of this music, six different instruments have been used for the recording – two different harpsichords, muselar virginal, clavichord, chamber organ, and the Ahrend organ at L’Église-Musée des Augustins, Toulouse, France (where the huge and high nave creates an echo that lasts for nearly fifteen seconds, not unlike the acoustic at Lincoln Cathedral where Byrd was the organist and master of the choristers). According to ancient legend, the phoenix (an image Byrd used in his first publication in 1575) is reborn from the centre of a blazing fire every five hundred years. Byrd, indeed, had to wait nearly as long before modern editions, concerts and recordings have been able to bring his music back to life. Davitt Moroney is the perfect musician for the job.