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BACH, Nigel North

Bach on the Lute

  • Nigel North - Bach On The Lute - Volume One
  • 01. Sonata in G minor BWV 1001, Adagio (3:21)
  • 02. Sonata in G minor BWV 1001, Fuga - Allegro (5:28)
  • 03. Sonata in G minor BWV 1001, Siciliana (2:45)
  • 04. Sonata in G minor BWV 1001, Presto (3:34)
  • 05. Partita in A minor BWV 1002, Allemanda - Double (9:55)
  • 06. Partita in A minor BWV 1002, Corrente - Double (Presto) (5:10)
  • 07. Partita in A minor BWV 1002, Sarabande - Double (4:49)
  • 08. Partita in A minor BWV 1002, Tempo Di Borea - Double (4:46)
  • 09. Partita in D minor BWV 1004, Allemanda (5:40)
  • 10. Partita in D minor BWV 1004, Corrente (3:09)
  • 11. Partita in D minor BWV 1004, Sarabanda (4:09)
  • 12. Partita in D minor BWV 1004, Giga (2:51)
  • 13. Partita in D minor BWV 1004, Ciaconna (14:09)
  • Bach On The Lute - Volume Two
  • 01. BWV 1006 - Partita in F Major (4:56)
  • 02. BWV 1006 - Partita in F Major (3:52)
  • 03. BWV 1006 - Partita in F Major (3:18)
  • 04. BWV 1006 - Partita in F Major (4:24)
  • 05. BWV 1006 - Partita in F Major (1:44)
  • 06. BWV 1006 - Partita in F Major (2:31)
  • 07. BWV 1003 - Sonata in A Minor (3:39)
  • 08. BWV 1003 - Sonata in A Minor (7:50)
  • 09. BWV 1003 - Sonata in A Minor (4:54)
  • 10. BWV 1003 - Sonata in A Minor (6:35)
  • 11. BWV 1005 - Sonata in C Major (4:07)
  • 12. BWV 1005 - Sonata in C Major (10:14)
  • 13. BWV 1005 - Sonata in C Major (2:41)
  • 14. BWV 1005 - Sonata in C Major (6:43)
  • Bach On The Lute - Volume Three
  • 01. Suite No. 1 in C Major - Prelude (3:04)
  • 02. Suite No. 1 in C Major - Allemande (4:51)
  • 03. Suite No. 1 in C Major - Courante (3:03)
  • 04. Suite No. 1 in C Major - Sarabande (3:11)
  • 05. Suite No. 1 in C Major - Menuets 1 & 2 (3:10)
  • 06. Suite No. 1 in C Major - Gigue (2:03)
  • 07. Suite No. 2 in A Minor - Prelude (3:45)
  • 08. Suite No. 2 in A Minor - Allemande (4:15)
  • 09. Suite No. 2 in A Minor - Courante (2:29)
  • 10. Suite No. 2 in A Minor - Sarabande (4:02)
  • 11. Suite No. 2 in A Minor - Menuets 1 & 2 (3:10)
  • 12. Suite No. 2 in A Minor - Gigue (3:04)
  • 13. Suite No. 4 in B Flat Major - Prelude (4:58)
  • 14. Suite No. 4 in B Flat Major - Allemande (4:44)
  • 15. Suite No. 4 in B Flat Major - Courante (3:47)
  • 16. Suite No. 4 in B Flat Major - Sarabande (4:09)
  • 17. Suite No. 4 in B Flat Major - Bourees 1 & 2 (3:51)
  • 18. Suite No. 4 in B Flat Major - Gigue (2:12)
  • Nigel North - Bach On The Lute - Volume Four
  • 01. Suite No.3 in G major -- Prelude(Presto) (4:00)
  • 02. Suite No.3 in G major -- Allemande (4:34)
  • 03. Suite No.3 in G major -- Courante (3:02)
  • 04. Suite No.3 in G major -- Sarabande (3:46)
  • 05. Suite No.3 in G major -- Bouree 1&2 (3:17)
  • 06. Suite No.3 in G major -- Gigue (3:30)
  • 07. Suite No.5 in G minor -- Prelude(tres vite) (5:17)
  • 08. Suite No.5 in G minor -- Allemande (5:04)
  • 09. Suite No.5 in G minor -- Courante (2:11)
  • 10. Suite No.5 in G minor -- Sarabande (3:04)
  • 11. Suite No.5 in G minor -- Gavotte 1&2 (4:30)
  • 12. Suite No.5 in G minor -- Gigue (2:23)
  • 13. Suite No.6 in G major -- Prelude (4:55)
  • 14. Suite No.6 in G major -- Allemande(adagio) (7:32)
  • 15. Suite No.6 in G major -- Courante (2:55)
  • 16. Suite No.6 in G major -- Sarabande (4:40)
  • 17. Suite No.6 in G major -- Gavotte 1&2 (3:49)
  • 18. Suite No.6 in G major -- Gigue (3:06)
  • Nigel North - lute
  • BACH

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Wielki powrót legendarnego nagrania!

październik 2007: Jan Sebastian Bach żył wprawdzie w okresie, gdy lutnia była jeszcze bardzo popularna, a jeden z największych lutnistów wszechczasów, Silvius Leopold Weiss, był jego rówieśnikiem, to jednak sam napisał niewiele utworów lutniowych. Nawet znajomość z wieloma lutnistami, w tym ze wspomnianym już Weissem, nie zainspirowała go, by tworzyć na ten instrument. Trzeba jeszcze wspomnieć, że utwory lutniowe Bacha są transkrypcjami jego wcześniejszych utworów. Obcowanie z muzyką Bacha jest jednak wielkim przeżyciem, być może, więc dlatego jeden z największych lutnistów naszych czasów postanowił rozszerzyć bachowski repertuar lutniowy i dokonał transkrypcji na ten instrument jego sonat i partit na skrzypce solo, jak i jego suit na wiolonczelę solo. (…) Muzyka tu zaprezentowana w znakomitym wykonaniu Nigela Northa jest zachwycająca, inspirująca, zaskakuje swoją świeżością i lekkością. Niezwykłe wykonanie, tak jak niezwykłym jest artysta Nigel North. Dodatkowym atutem tego albumu jest świetna reżyseria dźwięku. (sl) The benchmark against which other Baroque lute recordings are measured, this title remains popular. Having sold out of the original boxed set, Linn Records are please to reissue “Bach on the Lute” in a new-look collection. * * * North applies his encyclopedic knowledge and instinctive flair for the lute, to the transcriptions and arrangements of works for violin and cello by J.S. Bach, a practice started by the composer himself who frequently re-scored existing pieces if a work for lute was required. * * * The ever-popular Cello Suites are transformed when played on lute. The instrument allows North to sustain and clarify the counterpoint, harmony and bass line which is sketched in the original, creating an authentic, yet quite unique interpretation. * * * The Violin Sonatas and Partitas, renowned for their technical difficulties and requirement for depth of musical expression, are beautifully rediscovered. North sensitively presents a distinctive orchestration of these pieces which intriguingly emphasizes the subtle Italian influence of these works. * * * North’s most recent solo album on Linn “Go From My Window” was awarded 'Editor's Choice' from Gramophone and cemented his reputation as one of the world’s greatest lutenists. * * * North’s series of recordings on Linn Records have been critically acclaimed. Named an “éminence grise of the lute” by BBC Music Magazine, one of the “finest living lutenists” by Gramophone and “enterprising, compelling and eloquent” by Classical Guitar Magazine. “Bach on the Lute” displays the character and tone of the lute at its best, beautifully served by these creative transcriptions and North’s outstanding technical and interpretive ability. Goldberg Magazine
5 Stars
North's technique is flawless and his sense of voicing early 18th-century music is right on the mark. Highly recommended!
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The Scotsman
4 Stars
A natural eloquence
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The Observer
An excellent opportunity to acquire this reissued landmark recording at budget price.
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