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Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
RODRIGO, Angel Romero, Andre Previn, The London Symphony Orchestra
Concierto di Aranjuez / Fantasia para un Gentilhombre
- Side One
- Rodrigo: Concierto di Aranjuez
- 1. Allegro con spirito
- 2. Adagio
- 3. Allegro gentile
- Side Two
- Rodrigo: Fantasia para un Gentilhombre
- 1. Villano y ricecare (Adagietto – Andante moderato)
- 2. Espanoleta y Fanfare de la Caballeria de Napoles (Adagio – Allegro – Adagio)
- 3. Danza de las Hachas (Allegro con brio)
- 4. Canario (Allegro ma non troppo)
- Angel Romero - guitar
- Andre Previn - conductor
- The London Symphony Orchestra - orchestra
- RODRIGO
Legendarne nagrania ze studia Abbey Road
• Emanating from Los Romeros (the guitar quartet of father and three sons), Angel, along with his brother Pepe, forged distinguished solo careers and both recorded this popular concerto, Angel contributing to another sonic gem from the golden era of Andre Previn’s reign at the LSO.
• Produced by the legendary Suvi Raj Grubb and engineered by Michael Gray at Abbey Road’s No.1 Studio on 28-30 March 1977.
• Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS80 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional playback head.
Pressed on 180g vinyl to audiophile standards
Featuring the original album artwork
“...the new HMV record certainly deserves a most enthusiastic welcome and will disappoint no one... the colour of the orchestral backcloth is most appealing... The performance has great romantic warmth, the slow movement is particularly beautiful (the phrasing of the opening orchestral statement has a beguiling simplicity) and Angel Romero cannot but respond. He is an excellent player...” Ivan March, GRAMOPHONE, December 1977
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