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VERDI, Antonietta Stella, Placido Domingo, Ettore Bastianini, Nicolai Ghiaurov, Claudio Abbado, Tulio Serafin
Great Operas From La Scala: Rigoletto - Il Trovatore - La Traviata - Un Ballo In Maschera - Don Carlo - Macbeth - Simon Boccanegra - Aida

SCHUMANN, MOZART, HAYDN, CHOPIN, RACHMANINOV, BACH, BEETHOVEN, Sviatoslav Richter
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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
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Placido Domingo, Jose Carreras, Luciano Pavarotti, Dame Joan Sutherland, Ileana Cotrubas

The 50 Greatest Tracks

Utwory
Wykonawcy

Plácido Domingo - Domingo 50 Greatest Tracks CD 1 01. La Donna E Mobile (Rigoletto) (2:52) 02. Largo Al Factotum (Il Barbiere Di Siviglia) (4:52) 03. Recondita Armonia (Tosca) (3:01) 04. Plácido Domingo/ Ilena Contrubas: Soprano - Un Di Felice, Etera (La Traviata) (3:14) 05. Ach So Fromm (Martha) (3:07) 06. In Fernem Land, Unnahbar Euren Schritten (Lohengren) (6:34) 07. Toute Mon Ame Est La! Porquoi Me Reviller, O Souffle Du Printemps? (Werther) (2:42) 08. Plácido Domingo/ Robin Leggate (Tenor) - Il Etait Une Fois A La Cour d'Eisenach (Les Contes d'Hoffmann) (5:04) 09. Questa O Quella (Rigoletto) (1:57) 10. Vesti La Giubba (Paliacci (2:47) 11. Esultate! (Otello) (2:18) 12. Pays Merveilleux ... O Paradis (3:39) 13. La Fleur Que Tu Mavais Jette (3:59) 14. Seno, Q'e No Me Farte Er Valo' (El Gato Montes (1:28) 15. Plácido Domingo/Peter Maus, Robert Banuelas: Tenor - Am Stillen Herd (Die Meistersinger Von Nurnberg) (2:12) 16. Plácido Domingo/Peter Maus, Robert Banuelas: Tenor - Morgenlich Leuchtend (Die Meistersinger Von Nurnberg) (4:16) 17. Orgla, Chimera Dall'ochio Vitreo (Edgar) (3:14) 18. Donna Non Vidi Mai (Mannon Lescaut) (2:20) 19. Arretz, O Mes Freres! (Samson Et Dalila) (6:20) 20. Plácido Domingo/ Joan Sutherland: Soprano - Il Se Sont Eloignes Enfin (Les Contes Di Hoffman) (2:43) 21. Di Quella Pira (Il Travatore) (2:19) 22. Libiamo Ne Lieti Calci (Brindisi) ( La Traviata) (3:03) 23. Che Si Vuoi? ?Il Maledetto Non Ha Fratelli (Nabucco) (2:41) 24. E Lucevan Le Stelle (Tosca) (2:41) 25. Plácido Domingo/ Lucciano Pavarotti: Tenors - Nessun Dorma (Turandot) (3:31) CD 2 01. Granada (3:58) 02. Be My Love (3:16) 03. El Dia Que Me Quieras (3:49) 04. Panis Angelicus (3:42) 05. Passione (4:10) 06. Marta (3:19) 07. Chitarra Romana (3:08) 08. Volver (3:32) 09. Te Quiero, Dijiste (Munequita Linda) (3:50) 10. Ay, Ay, Ay (3:13) 11. Amapola (2:35) 12. Mi Buenos Aires Querido (3:31) 13. Tu CA Nun Chiagne (2:48) 14. Il Te Vurra Vasa' (3:16) 15. Mille Cherubini In Coro (After "Wiegenleid") (4:02) 16. Jurame (2:23) 17. Mattinata (3:43) 18. Catari', Catari (Core 'ngrato) (2:23) 19. Der Engel Wesendonck Lieder (3:11) 20. Musica Probita (2:55) 21. Musica Proibata (3:00) 22. Na Sera 'en Maggio (3:13) 23. Shiboney (3:43) 24. No Puede Ser La Taberna Del Puerto (2:45) 25. Dien Ist Mein Ganzes Herz: As Land Des Lacheins (3:37)

Placido Domingo - tenor
Jose Carreras - tenor
Luciano Pavarotti - tenor
Dame Joan Sutherland - soprano
Ileana Cotrubas - soprano

Produkt w tej chwili niedostępny.

AllMusic Review by James Manheim [-] This greatest-hits collection by tenor Plácido Domingo follows on a similar 50 Greatest Tracks release devoted to his Three Tenors comrade Luciano Pavarotti, which was commercially well received and seems to have done what it set out to do. Let it be known that the way to understand opera is to go and see one rather than picking and choosing from among the catalog of even the greatest singers, company in which Domingo inarguably resides. That said, Deutsche Grammophon has assembled a highly listenable group of Domingo tracks that gives casual listeners an idea of the range of his talent, a range that was probably greater than that of the other two of the Three Tenors. Start right in for an idea of Domingo's effortless clarion call in something like the standard "Libiamo ne' lieti calici" from Verdi's La traviata (CD 1, track 22). But the road through the program takes you into Wagner, for which Pavarotti never had much enthusiasm, into popular music (which Pavarotti did essay, but whose roots Domingo touches more closely), through lots of French music, and into Domingo's later career as a baritone. There's a good mix of familiar and unusual, and of material ranging across three decades (not arranged chronologically). Users of good stereo equipment will notice some lurching among the various sound environments represented, but in general this is a generous and reasonable introduction to one of history's great voices.
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