Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
Jan Garbarek
It's OK to listen to the gray voice
- Jan Garbarek - saxophone
Jan Garbarek Group: Jan Garbarek (soprano & tenor saxophones); David Torn (synthesizer, guitar); Eberhard Weber (bass); Michael DiPasqua (drums, percussion). This album is exactly what ECM Records fans have come to expect from this offbeat European label. A spacey collection of pieces by Norwegian saxophonist Jan Garbarek, IT'S OK TO LISTEN TO THE GRAY VOICE is as interesting and strange as the title itself. This outing is an inspired set of compositions (all named after lines from Tomas Transtromer's poetry) that highlight the unique improvisatory talents of Garbarek and his band. It's particularly interesting to hear the juxtaposition of soloing styles throughout the album, especially on "The Crossing Place" and "One Day in March I Go Down to the Sea and Listen." On these tracks, the sparse, long tones of Garbarek's saxophone are followed by the intense fusion licks of guitarist David Torn. Other pieces such as "It's Ok to Phone the Island That is a Mirage" envelop you in a kind of foggy, Nordic haze due to the ethereal layering of Torn's guitars, Garbarek's frosty tone, the spacious drumming of Michael DiPasqua, and the languid fretless bass work of Eberhard Weber.