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HANDEL, John Butt, Dunedin Consort

Esther

Esther image
Galeria okładek

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1. Act One, Overture - I. Andante 2. Act One, Overture - II. Larghetto 3. Act One, Overture - III. Allegro 4. Act One, Scene 1 - I. Recitative: 'Tis greater far to spare, than to destroy 5. Act One, Scene 1 - II. Air: Pluck root and branch from out the land 6. Act One, Scene 1 - III. Recitative: Our souls with ardour glow 7. Act One, Scene 1 - IV. Chorus: Shall we the God of Israel’s fear? 8. Act One, Scene 2 - I. Recitative: Now persecution shall lay by her iron rod 9. Act One, Scene 2 - II. Air: Tune your harps to cheerful strains 10. Act One, Scene 2 - III. Chorus: Shall we of servitude complain 11. Act One, Scene 2 - IV. Recitative: O God, who from the suckling’s mouth 12. Act One, Scene 2 - V. Air: Praise the Lord with cheerful noise 13. Act One, Scene 2 - VI. Chorus: Shall we of servitude complain 14. Act One, Scene 3 - I. Recitative: How have our sins provok’d the Lord 15. Act One, Scene 3 - II. Chorus: Ye sons of Israel mourn 16. Act One, Scene 3 - III. Air: O Jordan, Jordan, sacred tide 17. Act One, Scene 3 - IV. Chorus: Ye sons of Israel mourn 18. Act Two, Scene 1 - I. Recitative: Why sits that sorrow on thy brow? 19. Act Two, Scene 1 - II. Recitative: Why sits that sorrow on thy brow? 20. Act Two, Scene 1 - III. Recitative: I go before the king to stand 21. Act Two, Scene 1 - IV. Air: Tears assist me, pity moving 22. Act Two, Scene 1 - V. Chorus: Save us, O Lord 23. Act Two, Scene 2 - I. Recitative: Who dares intrude into our presence without our leave? 24. Act Two, Scene 2 - II. Duet: Who calls my parting soul from death? 25. Act Two, Scene 2 - III. Air: O beauteous Queen, unclose those eyes! 26. Act Two, Scene 2 - IV. Recitative: If I find favour in thy sight 27. Act Two, Scene 2 - V. Air: How can I stay, when love invites? 28. Act Two, Scene 2 - VI. Recitative: With inward joy his visage glows 29. Act Two, Scene 2 - VII. Chorus: Virtue, truth and innocence 30. Act Three, Scene 1 - I. Air: Jehovah crown’d with glory bright 31. Act Three, Scene 1 - II. Chorus: He comes, He comes to end our woes 32. Act Three, Scene 2 - I. Recitative: Now, O Queen, they suit declare 33. Act Three, Scene 2 - II. Accompagnato: Turn not, O Queen, thy face away 34. Act Three, Scene 2 - III. Air: Flatt’ring tongue, no more I hear thee! 35. Act Three, Scene 2 - IV. Recitative: Guards, seize the traitor, bear him hence! 36. Act Three, Scene 2 - V. Air: How art thou fall’n from thy height! 37. Act Three, Scene 2 - VI. Chorus: The Lord our enemy has slain
  • John Butt - conductor
  • Dunedin Consort - group
  • HANDEL
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129.00 PLN

2 SACD Multi-CH HDCD:

Nr kat.: CKD397
Label  : Linn Records

‘If there's a state-of-the-art Handel recording, it's this.’ Philadelphia Inquirer ‘...the freshness with which they sing radiates joy throughout the entire score.’ Classic FM ‘The playing under John Butt is admirably crisp, and the singing of the Consort disciplined and clear in enunciation.’ The Sunday Telegraph Named the 11th Greatest Choir by Gramophone the Dunedin Consort have established a reputation as the finest single-part period performance choir currently performing. The Dunedin Consort's highly anticipated new recording of ‘Esther - First Reconstructable Version (Cannons), 1720' is the third recording in its hugely successful Handel series. The Consort has set the bar high for this Handel performance with a Gramophone Award in 2007 for ‘Messiah' and a BBC Radio 3 ‘Building a Library' First Choice accolade for ‘Acis and Galatea'. For Esther, director John Butt has reunited his award-winning team of soloists, Susan Hamilton, Nicholas Mulroy, Matthew Brook and Thomas Hobbs, plus well-known guest soloists Robin Blaze and James Gilchrist. BBC Music Magazine
4½ Stars
'a two-voices-to-a-part chorus achieves more immediacy than a larger choir, coupled with a stylish and delightfully intimate band.'
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MusicWeb International
'I'd go for the new recording of the 1720 version.'
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BBC Radio 3 'CD Review'
'We need this thrilling recording...The sound on this is wonderful.'
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AllMusic.com
4 Stars
'majestic choruses'
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SA-CD.net
5 Stars
'Hugely recommended in every respect.'
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International Record Review
'...one of the most attractive versions on disc.'
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The Times
4 Stars
'...more than enough to keep us on the edge of our seats.'
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The Guardian
4 Stars
'...wonderfully crafted music making.'
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Gramophone
'...Brook's performance of the villain Haman's ‘Turn not, O Queen' transfixes everyone...'
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Gramophone
'Butt's direction combines spontaneous freshness with a care for expressive phrasing and precise colouring.'
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Presto Classical
'The ever-excellent James Gilchrist is at his most mellifluous here...'
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McAlister Matheson Music
'...vibrant performances of the highest quality,,,'
more >> • The Dunedin Consort’s highly anticipated new recording of ‘Esther - First Reconstructable Version (Cannons), 1720’ is the third recording in its hugely successful Handel series. • The Consort have set the bar high for this Handel performance with a Gramophone Award in 2007 for ‘Messiah’ and a BBC Radio 3 ‘Building a Library’ First Choice accolade for ‘Acis and Galatea’. • For Esther, director John Butt has reunited his award-winning team of soloists (Susan Hamilton - Esther; Nicholas Mulroy - Mordecai; Matthew Brook - Haman; Thomas Hobbs - 1st Israelite) plus well-known guest soloists Robin Blaze – Priest, James Gilchrist – Habdonah / Assuerus and Electra Lochhead - Israelite Boy. • The Consort has established a reputation as the finest contemporary single-part period performance choir. • In 2011 Gramophone named the Dunedin Consort the 11th Greatest Choir in recognition of its ‘triple focus upon artistic revitalisation of over-familiar great works, meticulous musicological enquiry and the audiophile integrity of Linn Records' production values.’ • The multi-award-winning Dunedin Consort has won praise for the natural style of its soloists (‘an authoritative bass and a superb contralto’ The Guardian) and renown for the virtuosity of its singers. • Dunedin has performed at music festivals in Scotland, Canada, Italy, Spain, Ireland, Israel and France, and broadcasts frequently on UK radio. The SACD layer is both 5.1 channel and 2-channel. The Studio Master files are 192kHz or 96kHz / 24 bit.

 

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