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Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
GERSHWIN, Leonard Bernstein, New York Philharmonic
Rhapsody in Blue / An American in Paris
ZamknijGaleria okładek
- Płyta LP: Rhapsody in Blue
- Leonard Bernstein - piano & conductor
- Columbia Symphony Orchestra
- An American in Paris
- New York Philharmonic
- Leonard Bernstein
- Płyta CD: Bernstein Conducts Gershwin 01. Rhapsody in Blue, for piano & orchestra (orchestrated by F. Grofé) (16:29) 02. An American in Paris, tone poem for orchestra (18:30) Grand Canyon Suite, for orchestra- 03. I. Sunrise (5:14) 04. II. Painted Desert (5:50) 05. III. On the Trail (7:25) 06. IV. Sunset (5:27) 07. V. Cloudburst (9:02) Prelude, Fugue & Riffs, for clarinet & jazz ensemble- 08. Prelude for the Brass (1:50) 09. Fugue for the Saxes (1:47) 10. Riffs for Everyone (4:13)
- Leonard Bernstein - conductor
- New York Philharmonic - orchestra
- Columbia Symphony Orchestra - orchestra
- Andre Kostelanetz - conductor
- Andre Previn - piano
- GERSHWIN
169.00 PLN
LP-180G 33rpm:
Nr kat.: MS6091Label : SpeakersCorner
This fast and furious orchestral work with piano, which begins with what must surely be the most famous clarinet glissando of modern times, was composed with the intention of presenting as many facets as possible of music from the New World in the short space of around 15 minutes. In his Rhapsody In Blue Gershwin wanted to "paint a musical kaleidoscope of America – our enormous melting pot, our typical national traits, our blues, our seething city life."
With this in mind, Leonard Bernstein made a number of recordings of the work and among the many excellent recordings that he made as a conductor or as a soloist, this present version with the Columbia Orchestra, from 1959, is especially of note. Bernstein takes on a double function as conductor and soloist and man oeuvres his way safely and surely through the highly diversified score to create a well-rounded picture filled with hefty orchestral dynamics and finely chiseled solo playing.
In Gershwin’s freely composed work the soloist and orchestra do not resort to bombastic shock effects or egomaniac keyboard acrobatics, and so this the work can be described as rhapsodic in the very best sense of the word. Most fittingly, on the B side there is another freely composed work – the autobiographical sketch entitled An American In Paris. The superb New York musicians paint the impressions of a visitor to the hectic French capital city – that too is the sound of America.
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