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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
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Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
CHOPIN, Vlado Perlemuter
Preludes, Berceuse, Fantasy in F minor
ZamknijGaleria okładek
- 1 24 Preludes Opus 28 C major 0.36
- 2 A minor 1.39
- 3 G major 1.07
- 4 E minor 1.36
- 5 D major 0.39
- 6 B minor 1.53
- 7 A major 0.49
- 8 F sharp minor 2.00
- 9 E major 1.27
- 10 C sharp minor 0.38
- 11 B major 0.43
- 12 G sharp minor 1.16
- 13 F sharp major 2.59
- 14 E flat minor 0.37
- 15 D flat major 4.46
- 16 B flat minor 1.20
- 17 A flat major 3.15
- 18 F minor 0.59
- 19 E flat major 1.31
- 20 C minor 1.42
- 21 B flat major 2.16
- 22 G minor 0.53
- 23 F major 1.04
- 24 D minor 2.35
- 25 Prelude in C sharp minor Opus 45 3.45
- 26 Fantasy in F minor Opus 49 12.35
- 27 Berceuse Opus 57 4.26
- Recorded at Wyastone Leys. Preludes: March 1981 (Analogue Recording). Fantasy and Berceuse: March 1982 (Digital Recording)
- Vlado Perlemuter - piano
- CHOPIN
59.00 PLN
CD:
Nr kat.: NI5064Label : Nimbus Records
"Perlemuter plays with such depth that something new about Chopin's music seems to be revealed on each listening." Ovation ‘The Preludes are strange pieces. I confess I imagined them differently, and designed in the grandest style, like his Etudes. But almost the opposite is true: they are sketches, beginnings of Etudes or, so to speak, ruins, eagle wings, a wild motley of pieces’ Schumann, 1839. Chopin’s Preludes have since come to be regarded as one of the monuments of the early Romantic movement in music, and Schumann’s equivocal attitude is at first sight surprising. After all, he himself was the composer par excellence of short, characteristic pieces for piano. Jealousy can be discounted, Schumann being readier than most creative artists to recognise and hail genius when he came across it. More likely he had settled in his mind on Chopin being a composer ‘in the grandest style’. What disturbed Schumann was possibly the fusion Chopin had achieved between brevity and wealth of content: a specific gravity that, note for note over a much shorter span, compares with that of Beethoven at his best.