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KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
CHOPIN, Vladimir Feltsman
Nocturnes (Complete) / Barcarolle / Berceuse
ZamknijGaleria okładek
- Nocturnes (Complete) / Barcarolle / Berceuse (Feltsman) 2:00:43
- DISC 1
- Nocturne No. 1 in B flat minor, Op. 9, No. 1 5:35
- Nocturne No. 2 in E flat major, Op. 9, No. 2 3:52
- Nocturne No. 3 in B major, Op. 9, No. 3 6:52
- Nocturne No. 4 in F major, Op. 15, No. 1 4:20
- Nocturne No. 5 in F sharp major, Op. 15, No. 2 3:45
- Nocturne No. 6 in G minor, Op. 15, No. 3 4:23
- Nocturne No. 7 in C sharp minor, Op. 27 No. 1 4:39
- Nocturne No. 8 in D flat major, Op. 27, No. 2 5:36
- Nocturne No. 9 in B major, Op. 32, No. 1 4:35
- Nocturne No. 10 in A flat major, Op. 32, No. 2 5:17
- Nocturne No. 11 in G minor, Op. 37, No. 1 5:24
- Nocturne No. 12 in G major, Op. 37, No. 2 5:45
- DISC 2
- Nocturne No. 13 in C minor, Op. 48, No. 1 5:56
- Nocturne No. 14 in F sharp minor, Op. 48, No. 2 7:32
- Nocturne No. 15 in F minor, Op. 55, No. 1 4:55
- Nocturne No. 16 in E flat major, Op. 55, No. 2 4:49
- Nocturne No. 17 in B major, Op. 62, No. 1 7:11
- Nocturne No. 18 in E major, Op. 62, No. 2 5:22
- Nocturne No. 19 in E minor, Op. 72, No. 1 3:35
- Nocturne No. 20 in C sharp minor, Op. posth. 3:52
- Nocturne No. 21 in C minor 3:08
- Barcarolle, Op. 60 9:10
- Berceuse in D flat major, Op. 57 5:10 1.99
- Vladimir Feltsman - piano
- CHOPIN
89.00 PLN
2 CD:
Nr kat.: NI6126Label : Nimbus Records
“...Quite Simply An Amazing Pianist!” The New York Times In Chopin’s 21 Nocturnes we encounter some of the most sublimely beautiful music ever written for piano. The Romantic idiom of these “night songs,” with their atmosphere of yearning nostalgia, was perfectly matched with Chopin’s talents and inclinations. The genre of the nocturne was first developed by the Irish composer John Field. Chopin knew Field’s nocturnes well and built upon his foundation. Another source of inspiration was Italian bel canto opera, exemplified by the works of Chopin’s friend Vincenzo Bellini. Whatever his sources of inspiration, however, Chopin’s nocturnes represent the highest realization of the form, despite the fine subsequent efforts of composers including Schumann, Liszt, Tchaikovsky, Rachmaninoff, Fauré, Scriabin, and Szymanowski. Vladimir Feltsman
