The two works recorded here have an interestingly close musical relationship that is belied by their radically different sound-worlds. Prokofiev’s first work for cello and orchestra was abandoned by the composer after an unsuccesful premiere, and the full score remained unpublished for years. However, a rising star barely in his twenties, Mstislav Rostropovich, found a copy with piano accompaniment and impressed the composer with his performance in December 1947. As Rostropovich remembered from their backstage encounter: ‘Prokofiev told me that after listening carefully to the Concerto he had decided to rewrite it. I reminded him of this each time I met him after that, but without success.’ What followed, in fact, was a completely new work—the Sonata for cello and piano Op 119—and the premiere of that, with Rostropovich eloquently partnered by Sviatoslav Richter (a recording survives), finally persuaded the now-ailing composer to the dramatic revision of the original Concerto. The resulting Symphony-Concerto is now acknowledged as one of the composer’s late masterpieces. The young German virtuoso Alban Gerhardt was the soloist in a performance at the BBC Proms in 2008 that convinced a loudly appreciative audience of the merits of this work. It has been recorded here with the first verson, Cello Concerto No 1, a work of undeniable importance to scholars and music-lovers alike. Andrew Litton conducts the Bergen Symphony Orchestra in their second disc for Hyperion. ------------------------------------------ 'If this fascinating coupling has ever been done before, I confess it has escaped me … Experiencing both versions side by side is a revelation … Alban Gerhardt's playing, appropriately spotlit, is top-drawer stuff. This important, if troubling, disc is nothing if not a triumph for him' (Gramophone) 'Throughout this beautifully engineered disc Gerhardt performs with consummate authority … bringing a much greater sense of cogency to … the Finale than the rival recording from Alexander Ivashkin on Chandos. Andrew Litton and the Bergen Philharmonic offer incisive support, highlighting Prokofiev's amazingly imaginative use of instrumental timbre' (BBC Music Magazine) 'Music that is especially compelling, both in terms of creativity and scoring … No praise is too high for Alban's Gerhardt's musicianship, commitment and technique' (International Record Review)