Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BACH, Martha Argerich, Mischa Maisky
Cello Sonatas BMV 1027-1029
- Martha Argerich - piano
- Mischa Maisky - cello
- BACH
Ekstraordynaryjne
Bach wrote these sonatas, some of whose music presents a reworking of earlier trio compositions, for a partnership of viola da gamba and harpsichord. The G major and D major works adopt the four-movementsonata da chiesa scheme, whilst the G minor, organized more along the lines of a concerto, is in three movements. The harpsichord is treated as a concertanteinstrument almost throughout, whilst the viola da gamba writing reflects the virtuoso position which the instrument had reached in late-baroque German music. These are absorbingly interesting and emotionally satisfying works which reach their high-water mark in the expansive and very beautiful Sonata in G minor. Most of the recordings on the market are performances on the instruments which Bach specifically asked for, but intelligent and expressive readings recently came from Yo-Yo Ma and Kenneth Cooper on CBS. Here is another which takes us a step, but a big step further from Bach's own sound-picture. Let me say at once that the playing of both artists is highly accomplished and is a true partnership throughout. The DG engineers have been careful not to give either instrument undue prominence over the other and that ensures both textural clarity and musical sense. Mischa Maisky is a fine a technician with an unerring ear for intonation and a good sense of phrase. Martha Argerich's Bach playing probably needs little in the way of introduction from me—her recording of the C minor Partita is one of the finest by a pianist that I am acquainted with. - The Gramophone Magazine
